April 23, 2008

Cannes. Lineup.

Cannes From Screen Daily this year, the Cannes lineup for 2008:

Competition:

Updated through 4/29.

Synecdoche, New York

Out of Competition:

Special screenings:

Midnight Screenings:

Special Jury President's Screening:

The Third Wave

Main Jury:

And Barry Levinson's What Just Happened? will close the festival, which runs May 14 through 25.

Updates: The Guardian's Peter Bradshaw offers first impressions of the lineup.

Via Fabien Lemercier at Cineuropa, the lineup for Un Certain Regard:

How is that Che's in the lineup after so many reported it wouldn't be? "Some conspiracy theorists might not be wrong in smelling a hand behind the bait and switch," writes Michael Jones. Karina Longworth looks into it at the SpoutBlog.

Salon's Andrew O'Hehir looks into a slew of titles that leap out at him.

Glenn Kenny's getting fired up, ready to go.

Nathaniel R pores over the lineup.

Directors' Fortnight 40 Updates, 4/24: "After its strong Latino flavor last year, Cannes sidebar Critics' Week largely focuses on European pics for its 47th edition," report John Hopewell and David Hayhurst for Variety, where they've got that lineup.

Once again, Variety's John Hopewell: "Vet Pole auteur Jerzy Skolimowski's comeback movie, Four Nights With Anna, will world preem as the opening film of the Cannes Film Festival's 40th Directors' Fortnight.... Directors' Fortnight's full program will be announced Friday. Speculation is running rife in Paris about which films will make the cut, given that the Directors' Fortnight will be the last Cannes section to be announced this year... There's a question mark over a clutch of films that were being talked up for Official Selection but as yet have to find a berth at the festival."

"Italy's robust presence at the upcoming 61st Cannes Film Festival was front page news Thursday in the country's top dailies, which are hailing the three Italian titles unspooling in the Official Selection as a sign of the local industry's new vitality." Nick Vivarelli reports in, yes, Variety.

Paul Clark at ScreenGrab: "Meet the Jury!"

Updates, 4/25: John Hopewell and David Hayhurst have the Directors' Fortnight lineup in Variety: "Twelve of the 22 films are either French pics or co-productions."

The Toronto Star's Peter Howell talks with Atom Egoyan: "His new drama Adoration, the sole Canadian contender for this year's Palme d'Or, is set in a Toronto high school. And for once, the city won't be pretending to be somewhere else." Via Movie City News.

Updates, 4/27: "During much of the Gilles Jacob era of Cannes, regions such as Latin America and Southeast Asia were usually ignored," writes Robert Koehler at filmjourney.org. "Now, it's Thierry Fremaux's Cannes - the 2008 edition will be his first in which he has full rein over all aspects of the program - and, as we've seen during recent Cannes festivals, programming seeks to reflect the reality that filmmaking is exploding on every continent." Still, "It may be Thierry's Cannes, but it's Olivier [Pere]'s Quinzaine," and "Olivier's Quinzaine, celebrating its 40th year as the Croisette upstart, looks to be a whole lot more interesting than Gilles' Cannes. Just look at some of the filmmakers in the roster, and you're looking at a window on the future of cinema: [Lisandro] Alonso and his Thierry del Fuego-set Liverpool, Albert Serra and his Three Wise Men odyssey El Cant dels ocells, Claire Simon's Les Bureaux de Dieu, Raya Martin and his five-hour Now Showing and the best Romanian you haven't heard of - Radu (The Paper Will Be Blue) Muntean and Boogie." As for Alonso, Serra and Martin, "Few younger filmmakers matter more than these three, and any program that contains all of them unveiling major new work is an event of the highest magnitude." He then sorts through the competition.

"There are six British films in Cannes this year," notes Agnès Poirier at the Guardian. "Yet, instead of making champagne corks fly, grumpy observers have been whining and sneering."

Anne Thompson's got a still from Synecdoche, New York and notes that Charlie Kaufman "plays the game of being very shy and press-averse, but he's actually just as canny about getting attention paid to him as most successful people on Hollywood."

Updates, 4/29: "The Cannes Film Festival has officially announced that Fernando Meirelles's Blindness (Miramax, 9.12) will open the festival," and Jeffrey Wells has news of other films that have been added to the slate as well: Laurent Cantet's Entre les murs and James Gray's Two Lovers in the competition lineup; Steve McQueen's Hunger will open Un Certain Regard; and Jeanne Balibar and Marjane Satrapi have joined the jury.

Andrew O'Hehir comments on the additions, including the confirmation that Barry Levinson's What Just Happened? will indeed close the festival.

"Being a subjective, not entirely well-informed, and hopefully not pre-judging bunch of observations on the pictures in competition at the 61st Annual Cannes Film Festival, May 14-25..." Glenn Kenny.



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Posted by dwhudson at April 23, 2008 5:37 AM

Comments

Onle female director in Competition is Lucrecia Martel. Just an observation.

Posted by: Karsten at April 23, 2008 6:11 AM

What? Arnaud Desplechin remaking the Bob Clark classic?

Posted by: Peter Nellhaus at April 23, 2008 7:53 AM

Wow -- there are four titles In Competition by indisputably magnificent film-makers: Jia, Dardenne, Martel, and Ceylan! And thank god Weerasethakul and Bruno Dumont's producer Bouchareb are on the Jury to ensure that nothing less than excellence enjoys an award.

Posted by: Rob at April 23, 2008 8:00 AM

Thanks for all the links. Very much appreciated.

Posted by: Glenn at April 23, 2008 8:20 AM

My money is on Martel for the Grand Prize, unless Penn can't hold his liquor, gets Joe Weerasethakul and Portman (great choice; and what exactly qualifies her to judge anything other than a fashion contest?)in a headlock, and forces the rest of the jury to vote for Eastwood. If it's not Martel it will be Kaufman. There's no way the Dardennes win it a 3rd time, is there?

Posted by: Billy Whizz at April 23, 2008 9:32 AM

Point taken, Karsten (although it's actually Daniela Thomas is co-directing a Comp entry). But that's still better than most years.

Also, glad that Cannes is finally paying attention to Philippe Garrel. 'Bout time.

Posted by: msic at April 23, 2008 10:04 AM

Hope I'm not the only one damned excited about Kusturica's Maradona film. Two good things that go great together. The potential in that combination fascinates, even if that could result in a letdown.

cp

Posted by: Craig P at April 23, 2008 2:35 PM

Why not the Egoyan? His short was the best by far in the omnibus last year. Hopefully Adoration marks a return to form by concentrating on the ideas he knows best (technological mediation and the resulting identity issues).

If not him though I'm pulling for Ceylan. Too bad Hernandez got passed over for inclusion.

Posted by: at April 23, 2008 8:54 PM

It amuses me the way critics and others are already betting on who's going to win Cannes without having seen any of the films. It's all very well to bet on big names, but who would have guessed last year's Palm d'Or winner going on names and track records alone. Remember that many a film in competition in Cannes has been selected unseen on the name of the director alone. This has led to many disappointments.

Posted by: at April 24, 2008 12:08 AM

(cont. from my anonymous post above). The Guardian is already betting on the Steven (Ocean's 13) Soderberg for no reason I can tell. If one were to go on recent form, I'd bet on the Jia or Ceylan. Anyway, the Cannes selection is the usual interesting mix, but I think having orgasms about it is premature ejaculation. I Cannes wait.

Posted by: ronald bergan at April 24, 2008 7:37 AM