October 18, 2007

LA. Goings on.

Wu Wenguang "The REDCAT theater in Los Angeles just screened the three hour documentary Fuck Cinema by legendary doc filmmaker Wu Wenguang, made in 2006," writes Mike Plante at Filmmaker. "With a single handheld camera, he follows a man who hangs out front of the Beijing Film Academy, showing the surprising world of film in China, which seems to have some of the same hang ups the West does.... And leave it to hardcore programmer Berenice Reynaud to put a short film in front of a three hour verite doc. Alas, lucky us, as we got to also see the 8-minute film Ten Years by the great Jia Zhangke, a beautiful piece about change in his country and a nice train ride."

"A onetime heroin addict who worked as a stripper and prostitute, [Elise Hill] is also an accomplished painter, sculptor and maker of costume jewelry who was evicted from the home she had known for two decades - above an elevator shaft in a converted maids' quarters on the roof of an upscale building in Midtown Manhattan," writes Robert W Welkos. "Her poignant story is captured in a feature-length documentary titled Begging Naked, by director and writer Karen Gehres, who spent nine years chronicling Elise's story, beginning with her friend's love of painting, to her work in a brothel catering to well-heeled clients, including members of the United Nations, to her gradual descent into paranoia and mental illness." The film's screening at the Hollywood Film Festival, which runs through Monday.

Also in the Los Angeles Times:

The Egyptian in 1922

Speaking of Scott Foundas, he recommends catching Edward Yang's A Brighter Summer Day tomorrow evening at 7:30.



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Posted by dwhudson at October 18, 2007 1:25 PM

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Also of interest: Desert Bayou is opening in LA on October 26th, at the Laemmle Sunset 5, with director Alex LeMay doing Q&A sessions after the film at 7:30pm on the 26th and 27th.

"Alex LeMay's Desert Bayou makes a fitting sequel to Spike Lee's opus When the Levees Broke," writes Lisa Katzman of the Village Voice. "The film opens by reprising the indelible and shameful tableaux of horrors that unspooled in the days following Hurricane Katrina, but then quickly moves on to depict the plight of several African-American evacuees."

Posted by: at October 19, 2007 8:49 AM